[Gianni – KabU Instructor]

There’s something like the transition from Lo Lishma to Lishma in every degree. But there’s later a real transition between these. And that’s not the final correction, but before it. There’s also the work in Lishma, but an opposite work.

[Gianni – KabU Instructor]

I can only examine my intention upon an action that I preceded with an intention to bestow. It’s useless to check other actions. But if I tried to have an intention, I can briefly check and see if it was really to bestow.

[Gianni – KabU Instructor]

We need to try to bestow to the Creator upon the surface called the ten. It won’t be true actions of bestowal, but you can express your desire to be in bestowal.

Delight and pleasure you can check for yourself because it’s whatever that is for the person, according to their vessel.

[Gianni – KabU Instructor]

Hi Clara,

Such a text has its own inner music one might know if they’re on the degree of the writer. We’re not there, but an alternative soundtrack is nevertheless dissonant, in my opinion – which is why I think silence during reading and during prayer is better.

[Gianni – KabU Instructor]

Ask for a Screen. Usually, we’re only working above the suffering; here we have to work above pleasure too.

[Gianni – KabU Instructor]

There’s the Creator’s act, and our acts. His was certainly to bring us pleasure. And we want to resemble that, bringing pleasure to our friends, so that we realize the love for the Creator, through the friends.

[Author]

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